‘For 10 years I lived a life of beating and degradation[1]’
How has Race and Gender been Represented in British Asian films, with particular reference to ‘Provoked’.
Asians have become one of the fast growing ethnicities in Britain today ‘According to the National Office of Statistics, there were two million Asians in Britain by the end of 1999, an increase of more than half a million since the 1991 Census’[2]. Hence, Asians contribute a lot to our society, in today’s multi-cultural Britain. However, ‘Many British Asians consider themselves to be British, but at home they are more in touch with their cultural and ancestral roots[3]’. Asian British consider themselves British; however, they confirm and believe in their own culture. Thus, contradicting the true British values. An example of this can be, Asians speak English in the wider world but once inside have a world of their own. Perhaps because of this British Asian films often represent Asians inaccurately, for example, a lot of male dominance is seen towards the females. They have become stereotypes due to the dominant and patriarchal nature the male plays in their live. The male is considered the breadwinner of the house, making him active. Whereas, the females role to be the housekeeper, therefore, defining her role as passive and inferior to the males. However, recently released movie, ‘Provoked’, directed by Jag Mundhra, 2006, challenges the idea and assumption about this patriarchal society and view women in a new domain.
Typically ‘under a patriarchal regime, women are, by definition, excluded from positions of power and authority’[4]. Women were depicted as passive objects and were seen to be ‘inferior’ towards the males, as they were seen to be ‘breadwinners’. Women are dependant on the males, as they are biologically stronger then women, and the females are physically seen to be inferior towards them. ‘Provoked’ (Dir: Jag Mundhra 2006) clearly shows how Rai the female protagonist is dependant on her husband Andrews: ‘…£60 how will I manage the household expensive?’[5] . Rai here confirms to the passive women whom relies upon her husband, who has both biological and social power. The biological, being the strong physical side and the social him having the money or the materials. However, Rai limits both. In addition to this, she has the potential to change the second; she too can earn money. Nevertheless, women at the time were considered inferior. Hence, the Eastern culture puts women in a repressed state. Another reason why this was not making a stereotype of the Asians, East VS West can be seen as a binary opposition, (Levi Strauss) where the West is rationale, dominant, and active, whereas the East is irrational, passive, and repressed. Throughout the course of this essay, these arguments will be discussed.
Asians have become a large proportion of the UK population and now are recognised by ‘the power of the brown pound’[6], they are economically growing and are making their identity through this. This can be linked to the idea of how British Asian films have increased tremendously ‘over the last twenty years, attitudes in Britain towards Asian cultures have shifted, as has the taste of mainstream audiences for Asian-themed films’[7] such as ‘East is East’ (Damien O’ Donnell, 1999), Bend it Like Beckham (Gurinder Chadha, 2002) Bride and Prejudice (Gurinder Chadha, 2004). ‘British Asian filmmaking has its roots in the 'Black' politics of the 1960s and '70s’[8]. These two were racial minorities in Britain and had to challenge this racism, and by doing so came to filming and have made some great movies, such include Baldwin's Nigger, 1969, Horace Ové. Asians as a number are increasing and will continue to do so. The West is fascinated by the culture of the East, and this can be a reason for the brown pound to still be in demand. ‘Provoked’ focuses on the genre of a docu-drama, and tells the true story of Kiranjeet Ahluwalia who is a victim of domestic violence by her alcoholic husband.
Throughout Provoked and many Asian films, the male are depicted as active, both physically and mentally. Whereas the women as passive and inferior to the men ‘… masculinity confer a privileged position of power and authority… to which woman is the Other’[9]. This is seen in ‘Provoked’ where there is a high angle shot of Andrews beating Rai and she is sitting on the floor crying. This connotes Andrews is superior and has power over Rai. The high angle also connotes him being given the God like authoritative. An image in the Eastern culture, which exists, is the husband should be seen as a god like figure. The low angle shot on Rai crying shows that she is subordinate to her husband and retains no power over him.
Moreover, the Mise En Scene in Provoked in particular reference to Rai’s costumes reflects her obedience and loyalty towards her husband. She is constantly seen wearing traditional costumes like Salwar Kameez, golden bangles and most importantly her wedding necklace. This portrays to the audience that she is a traditional women whom loves her culture: ‘they are in touch with their cultural and ancestral roots’[10], despite living in Britain. Nevertheless, Rai’s bond with her culture could be an illusion, for her husband, as he perceives her weak, as she will not confront him. He may perceive her to be weak as she never dresses in English clothes, and this may be a reason for him having an affair with a white woman. This may suggests that Britain is a multi-cultural society we are living in, where all the Asians interact with each other.
‘Provoked’ heavily focuses a lot on the culture, the close up zoom of Rai in jail taking of her wedding necklace and the parallel music at the back makes the scene look emotional and dramatic, signifying how important ones religion and culture is. Developing this many Asian religion see god to be male, this therefore makes religion to be patriarchal, and when the females prays to god, it therefore makes them look passive, as they are being portrayed as passive and dependant on the males.
Furthermore, both sexes’ roles have clearly been segregated in ‘Provoked’. Similarly, this segregation is due to the material, power and money. The extreme close up money is Andrews hand in ‘Provoked’ simply shows us that he is the sole breadwinner of the house. Hence, conforming the ideology that he is the dominant one. Rai is seen packing the clothes away and cooking which makes her look inferior towards her husband and a typical ‘housewife’. Constantly seen in other Asian films ‘Bend it Like Beckham’ we see Jess’s mum in the kitchen cooking and Anupum Kher her husband in his uniform relaxing and watching T.V. This is a reoccurring stereotype in many Asian films, especially with in the Asian culture. The impression we as the audience get is first of all a sense of identification. We can relate that men are seen to be superior and as the breadwinner and the female seen to be doing the domestic roles and portrayed as subordinate to the men.
'Second Wave' was coined by Marsha Lear, and refers to the increase in feminist activity’[11]. This was the period, in the late 1960’s where females wanted to increase their status and make their identity of their own. It can be seen that Asians are trying to achieve this now. ‘Second Wave Feminism did not just strive to extend the range of social opportunities open to women, but also, through intervention within the spheres of reproduction, sexuality and cultural representation, to change their domestic and private lives’[12]. The purpose of this act was to give females a better right and say, in which they can be seen to be equal between the two sexes.
During the Second World War ‘Women were also conscripted to civilian war work in factories’[13] . This was the stage when females had to take over masculine jobs, as the men’s had gone to war. It can be said that females are seen to be superior and had gained their new identity by proving that they can do men’s job and not just sit at home and be typical housewives. However, this, preposition has not been yet achieved for the Asian culture, their religion and culture needs to be challenged.
Living in the 21st century ‘woman show that they can do everything that man can’[14]. In terms of the physical attributes we no longer just see males to be ‘breadwinners’ but also females are no longer seen to be subordinate to the men’s, as ‘women are more likely then men to work part-time’[15]. In British Asian films, we do also see a lot of role reversal, which shows to us that our society is developing. An example of this can be seen in ‘Bend it Like Beckham’ where Jess wants to become a football player, and achieve something in life rather then being perceived as a ‘housewife’.
Comparing this to ‘Provoked’, there is a POV shot of Rai walking up the stairs with a candle in her hand. The background is dark and Rai is holding a candle, which brings out the effect of ‘Chiaro-Oscuro’ giving the audience a harmonious effect. Rai walking on her own connotes independence, and no longer needs to rely on husband. When Rai burns Andrews’s body, this shows us not to underestimate females as they can also be seen as mentally powerful. This was the opening shot of the film following Barthes enigma theory, as it made the audience feel confused as to why she killed her husband, and puts the audience in a dilemma.
This can be linked to a historical text that follows very similar conventions to ‘Provoked’. ‘Mother India’ 1957 is a movie that heavily focuses on the genre of independence and dominance. This film revolves around Nargis (the main female protagonist) after her husband’s death, it is down to Nargis to take care of her children and pay her debts. In one of the scene, there is a horrific hurricane where Nargis is fighting to save her children, and keep them secure. There is a medium shot of Nargis holding the shelter as it is collapsing and her children are on top of it. This shows us that woman can easily have masculine qualities in them, and it makes Nargis look like a strong and dominant character in the movie, where she is superior. Hence, some critics suggest that ‘woman is never genuine at any period of her life’[16]. This can be argued as both texts ‘Provoked and Mother India’ show both protagonists learned to live without the male figure in their lives. Nargis’s husband ran away after his hands were cut in an accident. Hence, he was emasculated and castrated. The women are portrayed as strong-minded individuals. Both these texts challenge and redefine women as strong.
Hence linking this matter to the social world, it can be argued that women are seen to be active role models, a fine example to be Benazir Bhutto. She was the first women to be elected and to run the Muslim state and was the Prime Minister of Pakistan; ‘she was one of the most high-profile women leaders in the world’[17]. This shows us that females in today’s generation can challenge masculinity, and in this case ‘overwhelmingly male-dominated political establishment’[18]. Referring back to ‘Provoked’ Rai has also challenged her husband by burning him and then being sent to jail, and getting justice.
‘Bend it Like Beckham’ focuses on Jess an Asian girl from a Sikh family who is a big fan of David Beckham. In this film, we see Jess to be as an individual as she wants to play football, hence her strict parents are totally against this ‘your sisters getting engaged and you’re sitting here watching this skinhead boy’[19]. This shows the typical conventions of Asians, how they perceive themselves to be ‘ideal’ and the ‘best’, and how the Asian should just stay in their culture and not get influenced into other cultures. The fast editing shot of Jess tackling the football in the park against five men shows how Jess is seen to be independent and it also makes her look dominant against them, as she is the only female. Again, we can link this to Levi Strauss’ binary opposition; the men’s can be seen as negative obstacles and Jess the only female as good.
Within this movie, Jess has an older sister who is getting married. We can categorise their roles into two: ‘the Whore’ and ‘Madonna’. We can say that her older sister is the ‘Whore’ as she is seen to have a sexual relationship with her boyfriend, and her friends are seen to be wearing ‘skimpy’ clothing. Thus, her older sister is seen to stand out in front of Jess, as she wears make up and is seen as a typical feminine. It can be argued that Jess is seen to be ‘Madonna’, despite knowing that she does not cook or clean but is seen as a ‘tom boy’: ‘ Femininity is not a core value for woman today’[20], this can reflect back at Jess’s character as she does not care how she looks, but is only interested in playing football. Her father is not happy with his daughter playing football: ‘you must start behaving like a proper woman’. Again, this is clearly showing that her father wants her to be cooking and cleaning as football is a ‘boy thing’. This matter is also supported by female feminists ‘women will always be women’[21], suggesting that women will always remain active, dominant. Gradually at the end of the film, her parents are happy with her playing football and decide to give her freedom rather then ‘…making round chapattis’.
Looking back at ‘Provoked’ Rai’s character could embody Madonna, as she has not being portrayed as a whore who wears tight clothing clothes and revealing her skin off to the males, rather she has been portrayed as ‘ a women who is not afraid of men’[22]. Again, a fine example of this is at the opening of the film where she burns her husband, and has the courage to go to jail. She liberated herself from the pain and torment she was going through.
‘The term racism… is frequently used to express patriotic fervour and straightforward ignorance about other cultures’[23]. When Rai is sent to prison inspectors are taking the name of all criminals, the inspector who is black finds it difficult to pronounce her name, but says everyone else’s name perfectly fine, and this was done deliberately. The reason for this being is because Rai was the only Asian, and she may have felt like the ‘Other’: ‘ Kiran…ja? What?... Kiranjeet Ahluwalia’, during this Rai pronounces her own name stating that it is not a difficult name to pronounce. This links to the society we are living in as it is a multi cultural society with different races and ethnicity. Ra is the only Asian in the prison, and is attacked by a white criminal. By the use of a long shot, it highlights clearly that Rai is being bullied and is seen as the ‘odd one out’, as all the other people are white/black. It targets the British Asian audience that they are the ones who tend to get bullied on a lot. This can be linked to the ‘British Empire’ during the period of Colonialism when they used to rule the ‘Indians’, and the British had viewed the Indians as ‘Cowards, effeminate, untrustworthy’[24]. In addition to this, it makes the Indians look derogated and cannot be trusted. Thus, it makes the Indians look inferior to the whites where as they are being portrayed as superior and active obstacles.
Both the Indians and Whites were categorized as ‘we are civilised they are barbaric’[25]. The imagery here it is hinting out are that Asians are seen to be wild and animalistic; we can link Levi Strauss’s binary opposition here, as good Vs evil. Developing onto this point theorist Homi Bhabha believes that ‘what we see in the brown Englishmen is a hideously displaced image of ourselves’ [26]. This simply suggests that Asians have become more English, that they are now mocking the English themselves. An example of this can be the programme ‘Goodness Gracious Me’ which was first seen in 1996.
Racism is another reoccurring theme in ‘East is East’, set in 1971, focusing on the conflict between India and Pakistan. George Khan is a Pakistani living in Salford who runs a chip shop. He is very deviant Muslim and wants his seven children to follow it appropriately, discovering his youngest son has not got circumcised he immediately pulls him out of the mosque and takes him to the hospital ‘Are you Indian’? When this is said from Mr.Khan’s mouth, there is an extreme close up of his angry face. This clearly shows us that there is still conflict with India and Pakistan. This is seen in today’s society as ‘Islamophobia an irrational fear or prejudice towards Muslims and the religion of Islam’[27]. People have become scared due to the media’s portrayal of the Muslims being seen as terrorist and every Asian being called ‘Paki’. This is the Hypodermic Needle Theory, where passive audiences are injected by the media and digest into them whatever is given. . The POV shot of Mr.Khan pulling his son out of the mosque ‘this is dirty’ (pointing down to his penis) shows the respect he has for his religion, and it can be said how important religion was then and still is seen in contemporary society.
However, in ‘Provoked’, ‘Female roles have definitely become tougher’[28]. Rai gets her right with the help of her prison friend who is white (Ronnie) as she helped her with her English and told her story of being abused by her alcoholic husband. This shows us that we are living in a multi-cultural society and that females are standing up for themselves, as they no longer want to be seen as inferior and subordinate to the men’s. ‘Provoked’ shows how the ‘Black Southall Sisters’ help Rai get freedom and persuade her to write a story ‘ I want to help you… Kiranjeet’. This was a female who was helping her, and shows us that society has changed and developed and women now are seen to be strong and fight for their rights. Towards the end of the film, Rai is freed and gets the chance to go to her house with her two children. This gives out the sense of ‘comfortable reassurance, closing down the complexities and ambiguities of the social world’[29]. The film also makes statement by saying that all the communities regardless of race/gender need to collaborate with each other. Feminism is all one in the right for equality.
To conclude, we can now say that with thorough information womens’ roles have tremendously changed over the years and ‘Provoked’ is a fine example of a British Asian women seen in a new light. Rai has been portrayed as being active towards her husband and subordinate to him. ‘There have been several films centred around leading female roles’[30], especially with British Asian film. Provoked is a film that challenges a lot of stereotypes and especially challenging the patriarchal society. ‘Women show that they can do everything that men can’[31], simply meaning women can be seen to be independent and as active as men, and should not be underestimated. Moreover, it also connotes that we now live in a less racist society and everyone adapts to collaborate with each other.
Word count: 3,347
[1] Provoked 2006
[2] http://news.bbc.co.uk/hi/english/static/in_depth/uk/2002/race/asian_britain.stm
[3] http://news.bbc.co.uk/1/hi/uk/6921534.stm
[4] Gender Studies Terms and Debates A. Cranny-Francis, W.Waring, P.Stavropoulos, J.Kirkby 2003 page 15
[5] Provoked 2006
[6] http://www.guardian.co.uk/business/2004/jan/13/raceintheuk.advertising
[7] http://www.screenonline.org.uk/film/id/475617/
[8] http://www.screenonline.org.uk/film/id/475617/
[9] Gender Studies Terms and Debates, A.Cranny-Francis, W.Waring, P.Stavropoulos, J.Kirkby 2003 page 14
[10] http://news.bbc.co.uk/1/hi/uk/6921534.stm
[11] http://spider.georgetowncollege.edu/ws/1st,_2nd,_3rd_wave.htm
[12] http://spider.georgetowncollege.edu/ws/1st,_2nd,_3rd_wave.htm
[13] http://www.iwm.org.uk/upload/package/30/women/secondww.htm
[14] Gauntlett, David (2002) ‘Media, Gender and Identity’, page 7
[15] http://www.womenandequalityunit.gov.uk/women_work/conference_downloads/adv_wom_key_fin.pdf
[16] Greer,Germanie (1999) ‘ The Female Eunuch’, page 119
[17] http://news.bbc.co.uk/2/hi/south_asia/2228796.stm
[18] http://news.bbc.co.uk/2/hi/south_asia/2228796.stm
[19] Bend it Like Beckham 2002
[20] Gauntlett, David (2002) ‘Media, Gender and Identity’
[21] Beauvoir De Simone,(1953) The Second Sex page 734
[22] Beauvoir De Simone,(1953) The Second Sex page 698
[23] Mason, David, (2000) Race and Ethnicity, Modern Britain page 9
[24] Sardar, Ziauddin (2000) Introducing Media Studies Page 13
[25] Sardar, Ziauddin (2000) Introducing Media Studies Page 13
[26] Sardar, Ziauddin (2000) Introducing Media Studies page 119
[27] http://www.islamophobia.org/news.php
[28] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 66
[29] Phillips, Patrick (1996)
[30] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 66
[31] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 7
Thursday 1 May 2008
Monday 25 February 2008
Self Evaluation
I think for attainment I would give myself a 2 (v.good). I think I always take part in the lesson, and make myself feel comfortable and relaxed.
For Effort I would definitely rate myself as 1. I put a lot of effort in my written work and make it to the best of my ability.
Punctuality, for this again i would give myself a 1. I am always on time and equipped with my work/homework and ready to start the lesson.
Submission and quality of homework: for this I would rate myself as a 2. I try my very best to produce the work to my ability and make it to the highest standard as possible.
Ability to work independently: for this I would probably give myself a 3. I really enjoy working as a group, but when I work alone I tend to get all the work done to the best of my ability.
Quality of writing: For this I would give myself a 3 again. I think the quality of my work will be a 2 again. I put a lot of effort in my work and I make sure it is to the best of my ability.
Media Folder: Definitely i would give myself a 1. My work is well organised and I make sure that everything in my folder is updated at all times.
Oral contribution in class: For this I would give myself a 2. I do take part in the lesson but i feel i can contribute more. (too shy)
Contribution to the debate team: definitely i would give myself a 1, not only because I am the captain but also because I make sure that everyone gets their work done on time.
Module 5: 1 well organised and up to date.
Module : 3 Needs to be updated with latest issues and debate news would give myself a 3.
I think for attainment I would give myself a 2 (v.good). I think I always take part in the lesson, and make myself feel comfortable and relaxed.
For Effort I would definitely rate myself as 1. I put a lot of effort in my written work and make it to the best of my ability.
Punctuality, for this again i would give myself a 1. I am always on time and equipped with my work/homework and ready to start the lesson.
Submission and quality of homework: for this I would rate myself as a 2. I try my very best to produce the work to my ability and make it to the highest standard as possible.
Ability to work independently: for this I would probably give myself a 3. I really enjoy working as a group, but when I work alone I tend to get all the work done to the best of my ability.
Quality of writing: For this I would give myself a 3 again. I think the quality of my work will be a 2 again. I put a lot of effort in my work and I make sure it is to the best of my ability.
Media Folder: Definitely i would give myself a 1. My work is well organised and I make sure that everything in my folder is updated at all times.
Oral contribution in class: For this I would give myself a 2. I do take part in the lesson but i feel i can contribute more. (too shy)
Contribution to the debate team: definitely i would give myself a 1, not only because I am the captain but also because I make sure that everyone gets their work done on time.
Module 5: 1 well organised and up to date.
Module : 3 Needs to be updated with latest issues and debate news would give myself a 3.
Sunday 3 February 2008
First Draft Idependant Study
‘For 10 years I lived a life of beating and degradation[1]’
How has Race and Gender been Represented in Asian British films, in particular reference to ‘Provoked’.
Asians have become one of the fast growing Race in Britain today ‘According to the National Office of Statistics, there were two million Asians in Britain by the end of 1999, an increase of more than half a million since the 1991 Census’[2]. In today’s society they make up nearly half the population and have settled well into it. However, ‘Many British Asians consider themselves to be British but at home they are more in touch with their cultural and ancestral roots[3]. Despite still living in Britain, Asians still stick to their cultural values as we see people celebrating Diwali and Eid. Thus, other Asian British films show a lot of male dominance and have portrayed Asians to be suppressed within their culture, especially the females to be inferior towards the men. However, recently realised movies a clear example to be ‘Provoked’ (directed by Jag Mundhra 2006) challenge the patriarchal society in today’s generation and view women’s into a new light.
Typically ‘under a patriarchal regime, women are, by definition, excluded from positions of power and authority’[4]. Women were depicted as passive objects and were seen to be ‘inferior’ towards the men and were classified to be dependant on the males, as they were seen to be ‘breadwinners’. During the early days women were seen to be having domestic roles such as being a housewife, cooking and cleaning, and were treated as children as they could not take their own decisions. Again this portrays that females in the early days relied a lot on the men’s. ‘Provoked’ (dir: Jag Mundhra 2006) clearly shows how Aishwarya Rai the female protagonist is dependant on her husband Naveen Andrews: ‘…£60 how will I manage the household expensive?’[5] Asian representation has always shown a female to be a typical housewife and to nurture the children, as they believe this is the best role that suits a wife/mother to do.
Asians have become a large proportion of the UK population and now are recognised by ‘the power of the brown pound’[6]. Asians are recognised by their culture that is developing rapidly over the UK, we now see people celebrating Eid and Diwali. Despite calling themselves ‘British Asians’ they have not forgotten their roots and values. A prime example of this can be recent movies that target British Asian, such as ‘East is East’ (Damien O’ Donnell, 1999), Bend it Like Beckham (Gurinder Chadha, 2002) Bride and Prejudice (Gurinder Chadha, 2004) and so on. ‘Provoked’ focuses on the genre of a docu-drama, and tells the true story of Kiranjeet Ahluwalia who got battered by her alcoholic husband. This fits in well with the British Asian audiences as not only is the text realistic but because of some of the ideologies and values that the movie is representing.
A typical stereotype that are seen in nearly all Asian British films is ‘ … masculinity confer a privileged position of power and authority… to which woman is the Other’ [7]. This is simply saying that men are viewed as a ‘god like image’ and are seen to be superior where the female is seen to be inferior. Linking this matter to ‘Provoked’ the high angle shot of Naveen hitting Aishwarya, and Aishwarya is sitting on the floor crying simply connotes that Naveen is superior and has got power and authority over Aishwarya, and the low angle shot on Aishwarya crying shows that she is subordinate to her husband and retains no power over him. Females were seen and treated like passive objects, that only know how to cook and clean, and are well at doing domestic roles. Comparing this to ‘Bend it Like Beckham’ we see the mother of Jess all the time cooking and cleaning, which shows the British Asian Audience that despite living in Britain and fitting in the British culture ‘they are more in touch with their cultural and ancestral roots’[8], where the role of the female is to be a housewife and provide warmth and love to the family.
Developing on to this matter, ‘Provoked’ shows how Aishwarya is following her rules and cultural values by wearing a ‘Salwar Kameez’, gold bangles and most importantly her wedding necklace which acts like a symbol of her being married. Again the ideology this is sending out to the British Asian audience is that despite living in Britain and adapting to their culture they follow their culture values. ‘Provoked’ heavily focuses a lot on the culture, the close up zoom on Aishwarya taking of her wedding necklace and the parallel music at the back makes the scene look emotional and dramatic, signifying how important religion is.
Both men and females roles have clearly been segregated in British Asian films. The extreme close up of the money is Naveen’s hand in ‘Provoked’ simply shows us that he is the ‘breadwinner’ of the house and the house runs in his hand only as he brings the money home, Aishwarya is seen packing the clothes away and cooking which makes her look inferior towards her husband and a typical ‘housewife’. Constantly seen in other Asian films ‘Bend it Like Beckham’ we see Jess’s mum in the kitchen cooking and Anupum Kher her husband in his uniform relaxing and watching T.V. This is a clear stereotype in today’s society, especially with in the Asian culture. The impression we as the audience get is first of all a sense of identification. We can relate that men are seen to be superior and as the ‘Breadwinner’ and the female seen to be doing the domestic roles and portrayed as subordinate to the men.
Women’s identity had drastically changed after the Second World War This is the period when men were fighting in the war, so females had to take over. ‘Women were also conscripted to civilian war work in factories’[9]. It can be argued this is the element when females had gained freedom and independence, and were viewed into a new light. Typically, females were seen as nurturing their children and seen to be the ‘expressive leader’ in the family, hence ‘women bore the responsibility of feeding, clothing and keeping their families together’[10]. Again this is showing how society was changing and giving females more of the opportunity to gain freedom and independence.
Living in the 21st century ‘woman show that they can do everything that man can’[11]. We no longer just see males to be ‘breadwinners’ but also females are no longer seen to be subordinate to the men’s, as ‘women are more likely then men to work part-time’[12]. In British Asian films we do also see a lot of role reversal, which shows to us that our society has developed and is still developing.
During the beginning of ‘Provoked’ there is a POV shot of Aishwarya walking up the stairs with a candle in her hand. The background is all dark and creates a ‘Chiaro-Oscuro’ effect. We then see a birds eye view shot of her husband (Naveen) getting burnt in the bed. This creates enigma for the audience and makes them think why Aishwarya killed her husband. This is following Bathes enigma theory, and the purpose of this shot may portray Aishwarya to be independent and making her look ‘superior and dominant’, as she has killed her husband and wanting ‘freedom’[13] .
This can be linked to a historical text that follows very similar conventions to ‘Provoked’. ‘Mother India’ 1957 is a movie that heavily focuses on the genre of independence and dominance. This film revolves around Nargis (the main female protagonist) after her husbands death, it is down to Nargis to take care of her children and pay her debts of. In one of the scene there is a horrific hurricane where Nargis is fighting to save her children and keep them secure, there is a medium shot of Nargis holding the shelter when it is collapsing as her children are on top of it. This shows us that a woman can easily have masculine qualities in them, and it makes Nargis look like a strong and dominant character in the movie, where she is seen to be ‘Superior’. Furthermore, in one of the songs is ‘Mother India’ we see Nargis farming and working really hard on the farm with her children , with the edits in the song it makes the narrative flow and gives a sense to the audience that her children are dependant on her and it is up to her to fulfil her children’s needs. Again, this is not only making Nargis look superior and dominant, but also it makes her look like a ‘Breadwinner’, as the fatherly figure is missing.
‘Bend it Like Beckham’ focuses on Jess an Asian girl from a Sikh family who is a big fan of David Beckham. In this film, we see Jess to be as a individual as she wants to play football, hence her strict mum and dad are totally against this ‘ your sisters getting engaged and your sitting here watching this skinhead boy’[14]. This shows the typical conventions of Asian’s, how they perceive themselves to be ‘ideal’ and the ‘best’, and how the Asian should just stay in their culture and not get influenced into other cultures. The fast editing shot of Jess tacking the football in the park against 5 men shows how Jess is seen to be independent and it also makes her look dominant against them, as she is the only female. Again we can link this to Levi Strauss binary opposition, the men can be seen as evil and Jess the only female can be seen as good. Adding on to this, Jess’s mum is very strict with her religion as she is following her cultural vales at all times, she is concerned with Jess playing football all the time. We see a shot of her mother cooking, while at the back Jess has got ‘cauliflower’ and is practicing her skills on it: ‘ I was married at your age…you don’t even want to learn how to cook daal’[15] (daal meaning curry) . Again this is showing, despite living in Britain Asians still follow their roots and values, and classify women’s to only be housewives.
Within this movie Jess has also got older sister who is getting married. We can categorise their roles into two ‘the Whore’ and ‘Madonna’. We can say that her older sister is the ‘Whore’ as she is seen to have a sexual relationship with her boyfriend, and her friends are seen to be wearing ‘skimpy’ clothing. Thus, her older sister is seen to stand out in front of Jess, as she wears make up and is seen as a typical ‘feminine’. It can be argued that Jess is seen to be ‘Madonna’, despite knowing that she does not cook or clean but is seen as a ‘tom boy’: ‘ Femininity is not a core value for woman today’[16], this can reflect back at Jess’s character as she does not care how she looks, but is only interested in playing football. Her father Anuphum Kher is not happy with his daughter playing football: ‘you must start behaving like a proper woman’[17]. Again this is clearly showing that her father wants her to be cooking and cleaning as football is a ‘boy thing’. Gradually at the end of the film, her father and mother are happy with her playing football and decide to give her freedom rather then ‘ …making round chapattis’[18]. This is showing that gender roles have changed and it is not only the males who are seen to be independent but also female can be seen as hard-working and dominant.
Looking back at ‘Provoked’, there is racism seen towards the Asians, simply meaning Aishwarya Rai. When she is sent to prison and while taking the name of all criminals, the Inspector who is Black finds it difficult to pronounce her name, but says everyone else’s name perfectly fine, and this was done deliberately: ‘ Kiran…ja? What?... Kiranjeet Ahluwalia’[19], during this Aishwarya pronounces her own name stating that it is not a difficult name to pronounce. This links to the society we are living in as it is a multi cultural society with different races and ethnicity. Aishwarya is the only Asian in the prison, and gets attacked by a white criminal. By the use of a long shot, it highlights clearly that Aishwarya is getting bullied and is seen as the ‘odd one out’ , as all the other people are white/black. It targets the British Asian audience that they are the ones who tend to get bullied on a lot. This can be linked to the ‘British Empire’ during the period of Colonisation when they used to rule the ‘Indians’, and the British had viewed the Indians as ‘Cowards, effeminate, untrustworthy’[20]. Simply making the Indians to look inferior towards the White, and making the White to look ‘Superior’.
Racism is also seen in East is East, as this is one of the main genre it is connoting as it was set in 1971, and the conflict there was between India and Pakistan. George Khan is a Pakistani living in Salford that runs a chip shop. He is very strict with his religion and wants his 7 children to follow it appropriately, discovering his youngest son has not got circumcised he immediately pulls him out of the mosque and takes him to the hospital ‘Are you Indian’?[21]. When this is said from Mr.Khan’s mouth, there is a extreme close up with a angry face. This clearly shows us that there is still conflict with Indian’s and Pakistani’s. This can be linked in today’s society ‘Islamophobia an irrational fear or prejudice towards Muslims and the religion of Islam’[22]. People have become scared due to the media, and see every Muslim to be a ‘paki’ and a terrorist. The POV shot of Mr.Khan pulling his son out of the mosque ‘this is dirty’ [23](pointing down to his penis) shows the respect he has for his religion, and it can be said how important religion was then and still is seen to be important.
Going back to ‘Provoked’, ‘Female roles have definitely become tougher’[24]. Aishwarya gets her right political with the help of her prison friend who is white (Ronnie) as she helped her with her English and told her story of getting abused by her alcoholic husband. This shows us that we are living in a multi cultural society and that females are standing up for themselves, as they no longer want to be seen as inferior and subordinate to the men’s. ‘Provoked’ shows how the ‘Black Southall Sisters’ help Kiranjeet (Aishwarya) get freedom and persuade her to write a story ‘ I want to help you… Kiranjeet’[25]. This was a female who was helping her, and shows us that society has changed and developed and women now are seen to be strong and fight for their rights. Towards the end of the film, Aishwarya is freed and gets the chance to go to her house with her two children.
To conclude ‘Provoked’ is a prime example how Asian female roles have changed and that they can be seen to be powerful. Adding on to this, ‘Provoked’ shows the clear stereotypes of Asian, such include the clothing that they are wearing and most importantly the roles that are given. ‘there have been several films centred around leading female roles’[26], especially with British Asian film. Provoked is a film that challenges a lot of stereotypes and especially challenging the patriarchal society. ‘Women show that they can do everything that men can’[27], simply meaning women can be seen to be independent.
Word count: 2,772
[1] Provoked 2006
[2] http://news.bbc.co.uk/hi/english/static/in_depth/uk/2002/race/asian_britain.stm
[3] http://news.bbc.co.uk/1/hi/uk/6921534.stm
[4] Gender Studies Terms and Debates A. Cranny-Francis, W.Waring, P.Stavropoulos, J.Kirkby 2003 page 15
[5] Provoked 2006
[6] http://www.guardian.co.uk/business/2004/jan/13/raceintheuk.advertising
[7] Gender Studies Terms and Debates, A.Cranny-Francis, W.Waring, P.Stavropoulos, J.Kirkby 2003 page 14
[8] http://news.bbc.co.uk/1/hi/uk/6921534.stm
[9] http://www.iwm.org.uk/upload/package/30/women/secondww.htm
[10] http://www.iwm.org.uk/upload/package/30/women/secondww.htm
[11] Gauntlett, David (2002) ‘Media, Gender and Identity’, page 7
[12] http://www.womenandequalityunit.gov.uk/women_work/conference_downloads/adv_wom_key_fin.pdf
[13] Provoked 2006
[14] Bend it Like Beckham 2002
[15] Bend it Like Beckham 2002
[16] Gauntlett, David (2002) ‘Media, Gender and Identity’
[17] Bend it Like Beckham 2002
[18] Bend it Like Beckham 2002
[19] Provoked 2006
[20] Rudyard Kipling (1865-1936)
[21] East is East 1999
[22] http://www.islamophobia.org/news.php
[23] East is East
[24] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 66
[25] Provoked, 2006
[26] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 66
[27] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 7
‘For 10 years I lived a life of beating and degradation[1]’
How has Race and Gender been Represented in Asian British films, in particular reference to ‘Provoked’.
Asians have become one of the fast growing Race in Britain today ‘According to the National Office of Statistics, there were two million Asians in Britain by the end of 1999, an increase of more than half a million since the 1991 Census’[2]. In today’s society they make up nearly half the population and have settled well into it. However, ‘Many British Asians consider themselves to be British but at home they are more in touch with their cultural and ancestral roots[3]. Despite still living in Britain, Asians still stick to their cultural values as we see people celebrating Diwali and Eid. Thus, other Asian British films show a lot of male dominance and have portrayed Asians to be suppressed within their culture, especially the females to be inferior towards the men. However, recently realised movies a clear example to be ‘Provoked’ (directed by Jag Mundhra 2006) challenge the patriarchal society in today’s generation and view women’s into a new light.
Typically ‘under a patriarchal regime, women are, by definition, excluded from positions of power and authority’[4]. Women were depicted as passive objects and were seen to be ‘inferior’ towards the men and were classified to be dependant on the males, as they were seen to be ‘breadwinners’. During the early days women were seen to be having domestic roles such as being a housewife, cooking and cleaning, and were treated as children as they could not take their own decisions. Again this portrays that females in the early days relied a lot on the men’s. ‘Provoked’ (dir: Jag Mundhra 2006) clearly shows how Aishwarya Rai the female protagonist is dependant on her husband Naveen Andrews: ‘…£60 how will I manage the household expensive?’[5] Asian representation has always shown a female to be a typical housewife and to nurture the children, as they believe this is the best role that suits a wife/mother to do.
Asians have become a large proportion of the UK population and now are recognised by ‘the power of the brown pound’[6]. Asians are recognised by their culture that is developing rapidly over the UK, we now see people celebrating Eid and Diwali. Despite calling themselves ‘British Asians’ they have not forgotten their roots and values. A prime example of this can be recent movies that target British Asian, such as ‘East is East’ (Damien O’ Donnell, 1999), Bend it Like Beckham (Gurinder Chadha, 2002) Bride and Prejudice (Gurinder Chadha, 2004) and so on. ‘Provoked’ focuses on the genre of a docu-drama, and tells the true story of Kiranjeet Ahluwalia who got battered by her alcoholic husband. This fits in well with the British Asian audiences as not only is the text realistic but because of some of the ideologies and values that the movie is representing.
A typical stereotype that are seen in nearly all Asian British films is ‘ … masculinity confer a privileged position of power and authority… to which woman is the Other’ [7]. This is simply saying that men are viewed as a ‘god like image’ and are seen to be superior where the female is seen to be inferior. Linking this matter to ‘Provoked’ the high angle shot of Naveen hitting Aishwarya, and Aishwarya is sitting on the floor crying simply connotes that Naveen is superior and has got power and authority over Aishwarya, and the low angle shot on Aishwarya crying shows that she is subordinate to her husband and retains no power over him. Females were seen and treated like passive objects, that only know how to cook and clean, and are well at doing domestic roles. Comparing this to ‘Bend it Like Beckham’ we see the mother of Jess all the time cooking and cleaning, which shows the British Asian Audience that despite living in Britain and fitting in the British culture ‘they are more in touch with their cultural and ancestral roots’[8], where the role of the female is to be a housewife and provide warmth and love to the family.
Developing on to this matter, ‘Provoked’ shows how Aishwarya is following her rules and cultural values by wearing a ‘Salwar Kameez’, gold bangles and most importantly her wedding necklace which acts like a symbol of her being married. Again the ideology this is sending out to the British Asian audience is that despite living in Britain and adapting to their culture they follow their culture values. ‘Provoked’ heavily focuses a lot on the culture, the close up zoom on Aishwarya taking of her wedding necklace and the parallel music at the back makes the scene look emotional and dramatic, signifying how important religion is.
Both men and females roles have clearly been segregated in British Asian films. The extreme close up of the money is Naveen’s hand in ‘Provoked’ simply shows us that he is the ‘breadwinner’ of the house and the house runs in his hand only as he brings the money home, Aishwarya is seen packing the clothes away and cooking which makes her look inferior towards her husband and a typical ‘housewife’. Constantly seen in other Asian films ‘Bend it Like Beckham’ we see Jess’s mum in the kitchen cooking and Anupum Kher her husband in his uniform relaxing and watching T.V. This is a clear stereotype in today’s society, especially with in the Asian culture. The impression we as the audience get is first of all a sense of identification. We can relate that men are seen to be superior and as the ‘Breadwinner’ and the female seen to be doing the domestic roles and portrayed as subordinate to the men.
Women’s identity had drastically changed after the Second World War This is the period when men were fighting in the war, so females had to take over. ‘Women were also conscripted to civilian war work in factories’[9]. It can be argued this is the element when females had gained freedom and independence, and were viewed into a new light. Typically, females were seen as nurturing their children and seen to be the ‘expressive leader’ in the family, hence ‘women bore the responsibility of feeding, clothing and keeping their families together’[10]. Again this is showing how society was changing and giving females more of the opportunity to gain freedom and independence.
Living in the 21st century ‘woman show that they can do everything that man can’[11]. We no longer just see males to be ‘breadwinners’ but also females are no longer seen to be subordinate to the men’s, as ‘women are more likely then men to work part-time’[12]. In British Asian films we do also see a lot of role reversal, which shows to us that our society has developed and is still developing.
During the beginning of ‘Provoked’ there is a POV shot of Aishwarya walking up the stairs with a candle in her hand. The background is all dark and creates a ‘Chiaro-Oscuro’ effect. We then see a birds eye view shot of her husband (Naveen) getting burnt in the bed. This creates enigma for the audience and makes them think why Aishwarya killed her husband. This is following Bathes enigma theory, and the purpose of this shot may portray Aishwarya to be independent and making her look ‘superior and dominant’, as she has killed her husband and wanting ‘freedom’[13] .
This can be linked to a historical text that follows very similar conventions to ‘Provoked’. ‘Mother India’ 1957 is a movie that heavily focuses on the genre of independence and dominance. This film revolves around Nargis (the main female protagonist) after her husbands death, it is down to Nargis to take care of her children and pay her debts of. In one of the scene there is a horrific hurricane where Nargis is fighting to save her children and keep them secure, there is a medium shot of Nargis holding the shelter when it is collapsing as her children are on top of it. This shows us that a woman can easily have masculine qualities in them, and it makes Nargis look like a strong and dominant character in the movie, where she is seen to be ‘Superior’. Furthermore, in one of the songs is ‘Mother India’ we see Nargis farming and working really hard on the farm with her children , with the edits in the song it makes the narrative flow and gives a sense to the audience that her children are dependant on her and it is up to her to fulfil her children’s needs. Again, this is not only making Nargis look superior and dominant, but also it makes her look like a ‘Breadwinner’, as the fatherly figure is missing.
‘Bend it Like Beckham’ focuses on Jess an Asian girl from a Sikh family who is a big fan of David Beckham. In this film, we see Jess to be as a individual as she wants to play football, hence her strict mum and dad are totally against this ‘ your sisters getting engaged and your sitting here watching this skinhead boy’[14]. This shows the typical conventions of Asian’s, how they perceive themselves to be ‘ideal’ and the ‘best’, and how the Asian should just stay in their culture and not get influenced into other cultures. The fast editing shot of Jess tacking the football in the park against 5 men shows how Jess is seen to be independent and it also makes her look dominant against them, as she is the only female. Again we can link this to Levi Strauss binary opposition, the men can be seen as evil and Jess the only female can be seen as good. Adding on to this, Jess’s mum is very strict with her religion as she is following her cultural vales at all times, she is concerned with Jess playing football all the time. We see a shot of her mother cooking, while at the back Jess has got ‘cauliflower’ and is practicing her skills on it: ‘ I was married at your age…you don’t even want to learn how to cook daal’[15] (daal meaning curry) . Again this is showing, despite living in Britain Asians still follow their roots and values, and classify women’s to only be housewives.
Within this movie Jess has also got older sister who is getting married. We can categorise their roles into two ‘the Whore’ and ‘Madonna’. We can say that her older sister is the ‘Whore’ as she is seen to have a sexual relationship with her boyfriend, and her friends are seen to be wearing ‘skimpy’ clothing. Thus, her older sister is seen to stand out in front of Jess, as she wears make up and is seen as a typical ‘feminine’. It can be argued that Jess is seen to be ‘Madonna’, despite knowing that she does not cook or clean but is seen as a ‘tom boy’: ‘ Femininity is not a core value for woman today’[16], this can reflect back at Jess’s character as she does not care how she looks, but is only interested in playing football. Her father Anuphum Kher is not happy with his daughter playing football: ‘you must start behaving like a proper woman’[17]. Again this is clearly showing that her father wants her to be cooking and cleaning as football is a ‘boy thing’. Gradually at the end of the film, her father and mother are happy with her playing football and decide to give her freedom rather then ‘ …making round chapattis’[18]. This is showing that gender roles have changed and it is not only the males who are seen to be independent but also female can be seen as hard-working and dominant.
Looking back at ‘Provoked’, there is racism seen towards the Asians, simply meaning Aishwarya Rai. When she is sent to prison and while taking the name of all criminals, the Inspector who is Black finds it difficult to pronounce her name, but says everyone else’s name perfectly fine, and this was done deliberately: ‘ Kiran…ja? What?... Kiranjeet Ahluwalia’[19], during this Aishwarya pronounces her own name stating that it is not a difficult name to pronounce. This links to the society we are living in as it is a multi cultural society with different races and ethnicity. Aishwarya is the only Asian in the prison, and gets attacked by a white criminal. By the use of a long shot, it highlights clearly that Aishwarya is getting bullied and is seen as the ‘odd one out’ , as all the other people are white/black. It targets the British Asian audience that they are the ones who tend to get bullied on a lot. This can be linked to the ‘British Empire’ during the period of Colonisation when they used to rule the ‘Indians’, and the British had viewed the Indians as ‘Cowards, effeminate, untrustworthy’[20]. Simply making the Indians to look inferior towards the White, and making the White to look ‘Superior’.
Racism is also seen in East is East, as this is one of the main genre it is connoting as it was set in 1971, and the conflict there was between India and Pakistan. George Khan is a Pakistani living in Salford that runs a chip shop. He is very strict with his religion and wants his 7 children to follow it appropriately, discovering his youngest son has not got circumcised he immediately pulls him out of the mosque and takes him to the hospital ‘Are you Indian’?[21]. When this is said from Mr.Khan’s mouth, there is a extreme close up with a angry face. This clearly shows us that there is still conflict with Indian’s and Pakistani’s. This can be linked in today’s society ‘Islamophobia an irrational fear or prejudice towards Muslims and the religion of Islam’[22]. People have become scared due to the media, and see every Muslim to be a ‘paki’ and a terrorist. The POV shot of Mr.Khan pulling his son out of the mosque ‘this is dirty’ [23](pointing down to his penis) shows the respect he has for his religion, and it can be said how important religion was then and still is seen to be important.
Going back to ‘Provoked’, ‘Female roles have definitely become tougher’[24]. Aishwarya gets her right political with the help of her prison friend who is white (Ronnie) as she helped her with her English and told her story of getting abused by her alcoholic husband. This shows us that we are living in a multi cultural society and that females are standing up for themselves, as they no longer want to be seen as inferior and subordinate to the men’s. ‘Provoked’ shows how the ‘Black Southall Sisters’ help Kiranjeet (Aishwarya) get freedom and persuade her to write a story ‘ I want to help you… Kiranjeet’[25]. This was a female who was helping her, and shows us that society has changed and developed and women now are seen to be strong and fight for their rights. Towards the end of the film, Aishwarya is freed and gets the chance to go to her house with her two children.
To conclude ‘Provoked’ is a prime example how Asian female roles have changed and that they can be seen to be powerful. Adding on to this, ‘Provoked’ shows the clear stereotypes of Asian, such include the clothing that they are wearing and most importantly the roles that are given. ‘there have been several films centred around leading female roles’[26], especially with British Asian film. Provoked is a film that challenges a lot of stereotypes and especially challenging the patriarchal society. ‘Women show that they can do everything that men can’[27], simply meaning women can be seen to be independent.
Word count: 2,772
[1] Provoked 2006
[2] http://news.bbc.co.uk/hi/english/static/in_depth/uk/2002/race/asian_britain.stm
[3] http://news.bbc.co.uk/1/hi/uk/6921534.stm
[4] Gender Studies Terms and Debates A. Cranny-Francis, W.Waring, P.Stavropoulos, J.Kirkby 2003 page 15
[5] Provoked 2006
[6] http://www.guardian.co.uk/business/2004/jan/13/raceintheuk.advertising
[7] Gender Studies Terms and Debates, A.Cranny-Francis, W.Waring, P.Stavropoulos, J.Kirkby 2003 page 14
[8] http://news.bbc.co.uk/1/hi/uk/6921534.stm
[9] http://www.iwm.org.uk/upload/package/30/women/secondww.htm
[10] http://www.iwm.org.uk/upload/package/30/women/secondww.htm
[11] Gauntlett, David (2002) ‘Media, Gender and Identity’, page 7
[12] http://www.womenandequalityunit.gov.uk/women_work/conference_downloads/adv_wom_key_fin.pdf
[13] Provoked 2006
[14] Bend it Like Beckham 2002
[15] Bend it Like Beckham 2002
[16] Gauntlett, David (2002) ‘Media, Gender and Identity’
[17] Bend it Like Beckham 2002
[18] Bend it Like Beckham 2002
[19] Provoked 2006
[20] Rudyard Kipling (1865-1936)
[21] East is East 1999
[22] http://www.islamophobia.org/news.php
[23] East is East
[24] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 66
[25] Provoked, 2006
[26] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 66
[27] Gauntlett, David (2002) ‘Media, Gender and Identity’ page 7
Wednesday 23 January 2008
Task 15 B
This is a good kick start Dips, your question is clearly foucused.
WWW
* Use of quotes
* Highlighted main arguments.
* What your essay will be showing.
EBI
* In your introduction, there is no use of saying the awards the film got.
* Talk about representation in the early days, for example how females/males were seen before.
* When you use quotes/reference make sure you take the page number amd quote it as a footnote.
* Also don't say in your intro what historical text you will be looking at, that will natural come while you write your essay.
* Also don't tell what the film is all about, maybe you can say something like this:' In this action packed movie the genre is heavily based on.... we see this through the actors.... and then maybe you can use a quote
This is a good kick start Dips, your question is clearly foucused.
WWW
* Use of quotes
* Highlighted main arguments.
* What your essay will be showing.
EBI
* In your introduction, there is no use of saying the awards the film got.
* Talk about representation in the early days, for example how females/males were seen before.
* When you use quotes/reference make sure you take the page number amd quote it as a footnote.
* Also don't say in your intro what historical text you will be looking at, that will natural come while you write your essay.
* Also don't tell what the film is all about, maybe you can say something like this:' In this action packed movie the genre is heavily based on.... we see this through the actors.... and then maybe you can use a quote
Med 5 Cw Task 15
15A
‘For 10 years I live a life of beating and degradation[1]’
How has Race and Gender been Represented in Asian British films, in particular reference to ‘Provoked’.
Asians have become one of the fast growing Race in Britain today ‘According to the National Office of Statistics, there were two million Asians in Britain by the end of 1999, an increase of more than half a million since the 1991 Census’[2]. In today’s society they make up nearly half the population and have settled well into it. However, ‘Many British Asians consider themselves to be British but at home they are more in touch with their cultural and ancestral roots[3]. Despite still living in Britain, Asians still stick to their cultural values as we see people celebrating Diwali and Eid. Thus, other Asian British films show a lot of male dominance and have portrayed Asians to be suppressed within their culture, especially the females to be inferior towards the men. However, recently realised movies a clear example to be ‘Provoked’ (directed by Jag Mundhra) challenge the patriarchal society in today’s generation and view women’s into a new light.
[1] Provoked 2006
[2] http://news.bbc.co.uk/hi/english/static/in_depth/uk/2002/race/asian_britain.stm
[3] http://news.bbc.co.uk/1/hi/uk/6921534.stm
15A
‘For 10 years I live a life of beating and degradation[1]’
How has Race and Gender been Represented in Asian British films, in particular reference to ‘Provoked’.
Asians have become one of the fast growing Race in Britain today ‘According to the National Office of Statistics, there were two million Asians in Britain by the end of 1999, an increase of more than half a million since the 1991 Census’[2]. In today’s society they make up nearly half the population and have settled well into it. However, ‘Many British Asians consider themselves to be British but at home they are more in touch with their cultural and ancestral roots[3]. Despite still living in Britain, Asians still stick to their cultural values as we see people celebrating Diwali and Eid. Thus, other Asian British films show a lot of male dominance and have portrayed Asians to be suppressed within their culture, especially the females to be inferior towards the men. However, recently realised movies a clear example to be ‘Provoked’ (directed by Jag Mundhra) challenge the patriarchal society in today’s generation and view women’s into a new light.
[1] Provoked 2006
[2] http://news.bbc.co.uk/hi/english/static/in_depth/uk/2002/race/asian_britain.stm
[3] http://news.bbc.co.uk/1/hi/uk/6921534.stm
Sunday 6 January 2008
Med 5 Cw Task 13
Plan for my independent study
· In your introduction, make sure you write out clearly what the question is you are focusing on, and the quote from the movie/text I am going to be looking at. ‘I lived a life of beatings and degradation’.
· In the introduction, highlight the main points, in this case say how life was seen in the early days, such as women and representation, and introduce the text roughly to the examiner. (Provoked, Jag Mundhra, and the themes)
· 2nd/3rd paragraph talk about old historical texts (in this include stuff like masculinity, femininity and how genders have changed and developed. Some of the historical texts that can be linked to my essay are ‘Mother India’, Devdas (old) East is East, Bend it Like Beckham) (R) (G)
· 4th paragraph talk about political issue that are /were in the Media, and how it had brought a change in today’s generation. For example you can talk about the Women’s movement, and the Second World War, how women’s took over men’s job and war in the munitions. Make reference to Rosa Parks how she refused to give her seat up for the white. She was the first female fighter. (G) and (R) (political)
· 5th paragraph bring in theorist and authors and start to make points and add quotes in the study. Mention stuff like how females were seen to be sex symbols in the early days (Laura Mulvey) link this to my study/text talk about Aishwarya, how she is not seen to be a ‘sex symbol’. (Male gaze) refer to Gauntlett. French Feminist Simone De Beauvoir, talks how women are subordinate to men. (R) (G) (Theory and Theorist)
· 6th Paragraph talk about how the Asian culture has changed and developed throughout the years. For example you can look at texts such as ‘Goodness Gracious Me’, Kumars at Number 42. Make notes on issues in Indian, Amritsar Massacre. Talk about the society now (2000) it has become more westernised, such as ‘Bend it like Beckham’. (Society) (Genre)
· 7th and 8th paragraph- talk about gender as a whole. So how females were seen to be in the early days (Mulvey) how they are seen to be now (Independent) how males were seen in the early days (superior) how they are seen to be now (New Man)
· 9th paragraph- talk about racism in the British society and how the media portrays it to be. (Social)
· 10th paragraph- make reference to ‘Provoked’, talk about the main themes the movie covers, such as Abuse, Gender, Relationships, and how Asian’s are being portrayed. Do this throughout and make systematically links, throughout the essay. Heavily look at texts such as East is East, and Bend it like Beckham.
10th paragraph- Get loads of short embedded quotes from various types of books, especially Media, Gender and Identity, David Gauntlett. Refer back to issues such as men's in movies and television how they were seen to be dominant, and had a major role in the media. Females had a less role, seen to be subordinate to the men.
11th paragraph- talk about the changes in female role. So look at active roles such as Lara Croft, in Tomb Raider and look at Uma Thurman in Kill Bill. Then compare it to the passive roles. Looking back in the early days how female roles were seen, such as houswife, and inferioir to the men. (Provoked-Aish a typical Housewife)
Weblinks:
http://www.bfi.org.uk/features/imagineasia/index.html http://www1.medialiteracy.com/representation.jsp
http://www.aber.ac.uk/media/Modules/MC30820/represent.html http://www.uiowa.edu/~commstud/resources/GenderMedia/index.html http://www.allisonmedia.net/Concepts/representation.htm http://media.guardian.co.uk/race/0,11027,584215,00.html
http://theoryhead.com/gender/ http://www.uiowa.edu/~commstud/resources/GenderMedia/femmedia.html
http://www.ape-connections.org/exorcisingpatriarchy.htm
http://feminism.eserver.org/
http://www.friesian.com/feminism.htm http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=398998&in_page_id=1879
http://www.aest.org.uk/survivors/female/
http://www.immi.se/ir/ir2001/yassine.htm
Books
Simone De Beauvir
Gray, John (1993) Men Are From Mars: Women Are From Venus, London: Thorsons.
Transformations of Gender and Race: Family and Developmental Perspectives
Farrell, Warren (2001) ' The Myth of Male Power, New York: Penguin'.
Media, Gender and Identity By David Gauntlett ( First published in 2002)
Plan for my independent study
· In your introduction, make sure you write out clearly what the question is you are focusing on, and the quote from the movie/text I am going to be looking at. ‘I lived a life of beatings and degradation’.
· In the introduction, highlight the main points, in this case say how life was seen in the early days, such as women and representation, and introduce the text roughly to the examiner. (Provoked, Jag Mundhra, and the themes)
· 2nd/3rd paragraph talk about old historical texts (in this include stuff like masculinity, femininity and how genders have changed and developed. Some of the historical texts that can be linked to my essay are ‘Mother India’, Devdas (old) East is East, Bend it Like Beckham) (R) (G)
· 4th paragraph talk about political issue that are /were in the Media, and how it had brought a change in today’s generation. For example you can talk about the Women’s movement, and the Second World War, how women’s took over men’s job and war in the munitions. Make reference to Rosa Parks how she refused to give her seat up for the white. She was the first female fighter. (G) and (R) (political)
· 5th paragraph bring in theorist and authors and start to make points and add quotes in the study. Mention stuff like how females were seen to be sex symbols in the early days (Laura Mulvey) link this to my study/text talk about Aishwarya, how she is not seen to be a ‘sex symbol’. (Male gaze) refer to Gauntlett. French Feminist Simone De Beauvoir, talks how women are subordinate to men. (R) (G) (Theory and Theorist)
· 6th Paragraph talk about how the Asian culture has changed and developed throughout the years. For example you can look at texts such as ‘Goodness Gracious Me’, Kumars at Number 42. Make notes on issues in Indian, Amritsar Massacre. Talk about the society now (2000) it has become more westernised, such as ‘Bend it like Beckham’. (Society) (Genre)
· 7th and 8th paragraph- talk about gender as a whole. So how females were seen to be in the early days (Mulvey) how they are seen to be now (Independent) how males were seen in the early days (superior) how they are seen to be now (New Man)
· 9th paragraph- talk about racism in the British society and how the media portrays it to be. (Social)
· 10th paragraph- make reference to ‘Provoked’, talk about the main themes the movie covers, such as Abuse, Gender, Relationships, and how Asian’s are being portrayed. Do this throughout and make systematically links, throughout the essay. Heavily look at texts such as East is East, and Bend it like Beckham.
10th paragraph- Get loads of short embedded quotes from various types of books, especially Media, Gender and Identity, David Gauntlett. Refer back to issues such as men's in movies and television how they were seen to be dominant, and had a major role in the media. Females had a less role, seen to be subordinate to the men.
11th paragraph- talk about the changes in female role. So look at active roles such as Lara Croft, in Tomb Raider and look at Uma Thurman in Kill Bill. Then compare it to the passive roles. Looking back in the early days how female roles were seen, such as houswife, and inferioir to the men. (Provoked-Aish a typical Housewife)
Weblinks:
http://www.bfi.org.uk/features/imagineasia/index.html http://www1.medialiteracy.com/representation.jsp
http://www.aber.ac.uk/media/Modules/MC30820/represent.html http://www.uiowa.edu/~commstud/resources/GenderMedia/index.html http://www.allisonmedia.net/Concepts/representation.htm http://media.guardian.co.uk/race/0,11027,584215,00.html
http://theoryhead.com/gender/ http://www.uiowa.edu/~commstud/resources/GenderMedia/femmedia.html
http://www.ape-connections.org/exorcisingpatriarchy.htm
http://feminism.eserver.org/
http://www.friesian.com/feminism.htm http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=398998&in_page_id=1879
http://www.aest.org.uk/survivors/female/
http://www.immi.se/ir/ir2001/yassine.htm
Books
Simone De Beauvir
Gray, John (1993) Men Are From Mars: Women Are From Venus, London: Thorsons.
Transformations of Gender and Race: Family and Developmental Perspectives
Farrell, Warren (2001) ' The Myth of Male Power, New York: Penguin'.
Media, Gender and Identity By David Gauntlett ( First published in 2002)
Sunday 30 December 2007
Film Review on the movie 'Mother India'(Channel 4)
One of the first great epics of Indian cinema and a profound influence in Bollywood and beyond. Massive in scope and also running time, it follows a poverty-stricken single mother's struggle to overcome impossible odds and do right by her rebellious son
Mehboob Khan's vast state-of-the-nation address was first shown in 1957 and has been playing pretty much constantly ever since. The first great Bollywood blockbuster, Mother India (Bharat Mata) a purposefully melodramatic musical, liberally laced with action, wit, humour and also a strongly socialist strain.
Told in one long flashback, the story follows Radha (Nargis) through marriage, motherhood and into old age. As a girl she falls for Shamu (Kumar) but even before their wedding the couple owe money to merciless lender Shukhilala (Kanhaiyalal). They start a family, but debt repayments barely cover the interest. Shamu loses both arms in a farming accident and walks out leaving Radha to face famine, flood and the death of a baby alone. Worse, her oldest boy Biju (Dutt) grows into a chillum-smoking bandit, seething with resentment at the way Shukhilala has exploited his family. Much of Khan's work dealt with the strain of a country struggling to make the transition from rural economy to modern state. Radhu is emblematic of that struggle, torn between her love for her rebellious son and her determination to uphold the family's honour. It's a demanding role - Nargis is rarely off screen - but her unrepeatable performance elevated her to the status of national icon. Even Indira Ghandi recognised the power of Nargis' performance and later cast herself as the real life Mother India.
The songs by composer Naushad operate as a sort of chorus, and Khan's sharp direction means that though the film is long (it's generally shown with an interval) it never drags. A blazing fire stands up against plenty of contemporary action footage, but the most memorable moment comes right at the end, with a time-ravaged Radha opening the government's new dam and watching the water, blood red with clay, slowly wash away. VerdictA supreme achievement. Director-writer-producer Mehboob Khan moves easily from high drama to wry comedy, uses music to enhance his dramatic muscle and succeeds in painting a deeply involving portrait of Indian family life.
One of the first great epics of Indian cinema and a profound influence in Bollywood and beyond. Massive in scope and also running time, it follows a poverty-stricken single mother's struggle to overcome impossible odds and do right by her rebellious son
Mehboob Khan's vast state-of-the-nation address was first shown in 1957 and has been playing pretty much constantly ever since. The first great Bollywood blockbuster, Mother India (Bharat Mata) a purposefully melodramatic musical, liberally laced with action, wit, humour and also a strongly socialist strain.
Told in one long flashback, the story follows Radha (Nargis) through marriage, motherhood and into old age. As a girl she falls for Shamu (Kumar) but even before their wedding the couple owe money to merciless lender Shukhilala (Kanhaiyalal). They start a family, but debt repayments barely cover the interest. Shamu loses both arms in a farming accident and walks out leaving Radha to face famine, flood and the death of a baby alone. Worse, her oldest boy Biju (Dutt) grows into a chillum-smoking bandit, seething with resentment at the way Shukhilala has exploited his family. Much of Khan's work dealt with the strain of a country struggling to make the transition from rural economy to modern state. Radhu is emblematic of that struggle, torn between her love for her rebellious son and her determination to uphold the family's honour. It's a demanding role - Nargis is rarely off screen - but her unrepeatable performance elevated her to the status of national icon. Even Indira Ghandi recognised the power of Nargis' performance and later cast herself as the real life Mother India.
The songs by composer Naushad operate as a sort of chorus, and Khan's sharp direction means that though the film is long (it's generally shown with an interval) it never drags. A blazing fire stands up against plenty of contemporary action footage, but the most memorable moment comes right at the end, with a time-ravaged Radha opening the government's new dam and watching the water, blood red with clay, slowly wash away. VerdictA supreme achievement. Director-writer-producer Mehboob Khan moves easily from high drama to wry comedy, uses music to enhance his dramatic muscle and succeeds in painting a deeply involving portrait of Indian family life.
Scene from the movie 'Mother India'.
This is a very well known song from the movie 'Mother India'. This song shows us the audience how Nargis (Radha) is working hard with her children on the farms. Here there is a lack of a father figure, which therefore makes Nargis look domiante and superioir. The way in which we can relate this study back to my text 'Provoked' is that we can say they both are showing a lack of fatherly figure, as in Provoked Aishwarya kills her husband in the beginning and in 'Mother India' there father dies (Nargis's husband). Furthermore we can also say that in 'Mother India' we see 3 childrens, which can be related to my study as in 'Provoked' Aishwarya has got 2 children. This is a key thing, the reason for this being is because the children would probably view their mothers as being 'dominant' and as the 'breadwinner'.
Lastly, we can also say that both the actresses (Nargis and Aishwarya) were precived as being typical houswives, looking at their clothing, they are seen as tyical Indian houswives. This also reflects back to my study as normally we annotate 'Houswives' to being seen as inferioir and they have a cheap labour. This is also reflected back to the society we are living in, as now females are seen as being independant and dominate in their own ways.
Med 5 Cw Task 12
The text that I have chosen as a historical text to focus on is ‘Mother India’. Mother India was released in 1957 and was directed by Mehboob Kahn. To give a brief overview of what ‘Mother India’ is all about, or what themes revolve around the movie are themes such as, Feminism, rights, and poverty, again it can also be said that in this movie the representation of gender is seen greatly too.
First of all, looking at how this is similar to my text we can say that in ‘Mother India’ the main female protagonist (Nargis) in the movie named Radha is the only female figure that is been portrayed to be hard working and is doing cheap labour, for example working on the farms with her sons. We can compare this to my text ‘Provoked’ and say that it is similar to my text because Aishwarya Rai goes to jail and is working there. The reason why we can say this is similar is because we would normally associate the men’s to commit murder and go to jail, however there is a role reversal here.
Focusing on the gender roles here a lot can be said. Nargis (Radha) has brought out the femininity in this movie and gave a new light to women’s. During the early days women’s were seen as ‘Sex objects’ and were seen to be looked at, as Laura Mulvey had quoted. However, looking art ‘Mother India’ it shows a new view of females. In this movie we see Nargis continuously working hard on the farms trying to get rid of her debts. We can easily link this back to ‘Provoked’ as looking at ‘Provoked’ Naveen was seen to be a very abusive husband that used to come home late and drunk, and Aishwarya was seen as the typical housewife cooking and cleaning and taking care of her children. Once she goes into jail and receives her rights we see Aishwarya in a new form. So altogether it can be argued that ‘Mother India’ had brought the new generation of females as she was seen to be the ‘Breadwinner’, thus t it links the same with ‘Provoked’.
Furthermore, the movie ‘Mother India’ looks a lot at issues such as poverty and nation. This was a typical problem in the early days in India, as they used to do farming they very much relied on the weather for their crops to grow and make money in that process. The men’s in this movie are seen to be very laid back and relaxed as they are very much just after their money, which again shows men to be very selfish and greedy. Looking at today’s generation females are now seen to be very independent and active in their own ways. They are no longer dependant on men’s to earn and bring the money home, as they earn themselves now. So it can be easily argued that since the early days femininity has changed a lot.
The text that I have chosen as a historical text to focus on is ‘Mother India’. Mother India was released in 1957 and was directed by Mehboob Kahn. To give a brief overview of what ‘Mother India’ is all about, or what themes revolve around the movie are themes such as, Feminism, rights, and poverty, again it can also be said that in this movie the representation of gender is seen greatly too.
First of all, looking at how this is similar to my text we can say that in ‘Mother India’ the main female protagonist (Nargis) in the movie named Radha is the only female figure that is been portrayed to be hard working and is doing cheap labour, for example working on the farms with her sons. We can compare this to my text ‘Provoked’ and say that it is similar to my text because Aishwarya Rai goes to jail and is working there. The reason why we can say this is similar is because we would normally associate the men’s to commit murder and go to jail, however there is a role reversal here.
Focusing on the gender roles here a lot can be said. Nargis (Radha) has brought out the femininity in this movie and gave a new light to women’s. During the early days women’s were seen as ‘Sex objects’ and were seen to be looked at, as Laura Mulvey had quoted. However, looking art ‘Mother India’ it shows a new view of females. In this movie we see Nargis continuously working hard on the farms trying to get rid of her debts. We can easily link this back to ‘Provoked’ as looking at ‘Provoked’ Naveen was seen to be a very abusive husband that used to come home late and drunk, and Aishwarya was seen as the typical housewife cooking and cleaning and taking care of her children. Once she goes into jail and receives her rights we see Aishwarya in a new form. So altogether it can be argued that ‘Mother India’ had brought the new generation of females as she was seen to be the ‘Breadwinner’, thus t it links the same with ‘Provoked’.
Furthermore, the movie ‘Mother India’ looks a lot at issues such as poverty and nation. This was a typical problem in the early days in India, as they used to do farming they very much relied on the weather for their crops to grow and make money in that process. The men’s in this movie are seen to be very laid back and relaxed as they are very much just after their money, which again shows men to be very selfish and greedy. Looking at today’s generation females are now seen to be very independent and active in their own ways. They are no longer dependant on men’s to earn and bring the money home, as they earn themselves now. So it can be easily argued that since the early days femininity has changed a lot.
Sunday 23 December 2007
Med 5 Cw Task 14
How has Race and Gender been seen in British Asian Films, in particular reference to ‘Provoked’?
‘For 10 years I lived a life of beating and degradation’
‘Provoked’ by Jag Mundhra is a hard hitting Asian British film that tells the true story of Kiranjeet Ahuluwalia that had suffered violence and abuse by her husband. This essay will deeply be examining how race and gender is seen to in the British society we are living in and how it has been represented in British Asian films. Such areas will include looking at how the males are seen to be dominant and superior ‘masculinity…a privileged position of power and authority’ Gender Studies, Terms and Debates by Anne Cranny-Francis. This quotation simply explains to us how the males are perceived to have a god-like image and retain both physical and mental powers. In addition to this we will also be focusing on the role of females and how they have been seen in British Asian films. Mainly females have always been seen to be sex symbols and/or seen to be inferior towards the men’s as Laura Mulvey quotes: ‘ Women are simultaneously looked at…with their appearance’ Media, gender and Identity by David Gauntlett. This essay will examine how male dominance still does exist in today’s generation and how females are perceived to be inferior towards the men, due to them being a ‘female’.
How has Race and Gender been seen in British Asian Films, in particular reference to ‘Provoked’?
‘For 10 years I lived a life of beating and degradation’
‘Provoked’ by Jag Mundhra is a hard hitting Asian British film that tells the true story of Kiranjeet Ahuluwalia that had suffered violence and abuse by her husband. This essay will deeply be examining how race and gender is seen to in the British society we are living in and how it has been represented in British Asian films. Such areas will include looking at how the males are seen to be dominant and superior ‘masculinity…a privileged position of power and authority’ Gender Studies, Terms and Debates by Anne Cranny-Francis. This quotation simply explains to us how the males are perceived to have a god-like image and retain both physical and mental powers. In addition to this we will also be focusing on the role of females and how they have been seen in British Asian films. Mainly females have always been seen to be sex symbols and/or seen to be inferior towards the men’s as Laura Mulvey quotes: ‘ Women are simultaneously looked at…with their appearance’ Media, gender and Identity by David Gauntlett. This essay will examine how male dominance still does exist in today’s generation and how females are perceived to be inferior towards the men, due to them being a ‘female’.
Saturday 15 December 2007
Med 5 Cw Task 11
TASK ELEVEN
Mulvey
Laura Mulvey, a typical feminist had based her study on the most famous work of ‘Visual Pleasure and Narrative Cinema during 1973. What this really was about was the work of Hollywood films, and how the males were seen to be the main protagonist. This can be seen to be very ironic at the fact that looking at today’s generation females are seen to be the main protagonist as the audience can identify with them and relate back to them, however this was one of Mulvey’s aim in her study. She added on to say that the audience become familiar with the males protagonist by identification, admiration and aspiration.
Adding on to this, she also saw the relationship of gender and the text of the film and how the audience had perceived the female characters to be. Mulvey quotes: ‘women in film are simply objects for the ‘gaze’ of the protagonist/ male audience’.
The ‘male gaze’ simply means when females are seen to be sex objects, and in movies are only there to be looked at. Sigmund Freud used the concept of ‘Scopophilia’ which means looking at something and getting the pleasure out of it. This can be linked back to my study, as I can easily mention the male gaze, looking at Provoked, we see Aishwarya to be the main protagonist as she gets abused by her husband, hence, during the scene of her getting raped by her husband ‘ Sopophilia is seen, we as the audience (male) enjoy watching this happen even though Aishwarya is not portrayed to be a sex symbol.
Developing this on to a further step, Mulvey looked back at the Hollywood film, males were seen to be protagonist from the male audience view point, and saw the female to be passive. Adapting to this matter Mulvey examined the fact that this look can be seen in two ways, one ‘Voyeuristic’ this means when females are seen to be beautiful and the other as ‘Fetishistic’ this means when females are seen to be sexual.
Overall, looking at masculinity as a whole, it can be argued that males lack power, and the only power they really use towards the feminist is the ‘Phallic’ this simply refers to a male’s penis. In action movies, males are always seen to be dominant as we are living in a ‘Patriarchal Society’. A gun can easily be a Phallic symbol, so can a sword, a cucumber and so on. Hence if the males get ‘Castrated’, simply meaning chopping of a male’s penis which means taking away their masculinity means that they are losing power. So it can be seen that males are really not seen to be dominant and superior.
TASK ELEVEN
Mulvey
Laura Mulvey, a typical feminist had based her study on the most famous work of ‘Visual Pleasure and Narrative Cinema during 1973. What this really was about was the work of Hollywood films, and how the males were seen to be the main protagonist. This can be seen to be very ironic at the fact that looking at today’s generation females are seen to be the main protagonist as the audience can identify with them and relate back to them, however this was one of Mulvey’s aim in her study. She added on to say that the audience become familiar with the males protagonist by identification, admiration and aspiration.
Adding on to this, she also saw the relationship of gender and the text of the film and how the audience had perceived the female characters to be. Mulvey quotes: ‘women in film are simply objects for the ‘gaze’ of the protagonist/ male audience’.
The ‘male gaze’ simply means when females are seen to be sex objects, and in movies are only there to be looked at. Sigmund Freud used the concept of ‘Scopophilia’ which means looking at something and getting the pleasure out of it. This can be linked back to my study, as I can easily mention the male gaze, looking at Provoked, we see Aishwarya to be the main protagonist as she gets abused by her husband, hence, during the scene of her getting raped by her husband ‘ Sopophilia is seen, we as the audience (male) enjoy watching this happen even though Aishwarya is not portrayed to be a sex symbol.
Developing this on to a further step, Mulvey looked back at the Hollywood film, males were seen to be protagonist from the male audience view point, and saw the female to be passive. Adapting to this matter Mulvey examined the fact that this look can be seen in two ways, one ‘Voyeuristic’ this means when females are seen to be beautiful and the other as ‘Fetishistic’ this means when females are seen to be sexual.
Overall, looking at masculinity as a whole, it can be argued that males lack power, and the only power they really use towards the feminist is the ‘Phallic’ this simply refers to a male’s penis. In action movies, males are always seen to be dominant as we are living in a ‘Patriarchal Society’. A gun can easily be a Phallic symbol, so can a sword, a cucumber and so on. Hence if the males get ‘Castrated’, simply meaning chopping of a male’s penis which means taking away their masculinity means that they are losing power. So it can be seen that males are really not seen to be dominant and superior.
Thursday 13 December 2007
Cover Work for Mondays lesson...
How do the males view the movie ‘Provoked’.
If a male audience had watched this movie then their views would probably be very different. Some male would view themselves as being very dominant and superior. So their views would be that it is acceptable in our society to abuse females, and be superior towards them. Looking back to our society it can also be said that some females do see themselves as being very dominant.
However it can also be said that some males, maybe from the working class background will not accept this sort of behaviour and see it to be deviant. What this means is that some males see it to be wrong to use physical powers against a female. If a male audience did watch this then it can be seen that they will feel that Aishwarya is the protagonist in the film and they can probably identify with some males who treat there wife’s without respect.
How do females view the movie ‘Provoked’.
On the other hand if a female had seen this movie then their views would be very strong to this movie. Looking in today’s generation females are not seen anymore to be housewife’s they are seen to be independent and now share equivalent roles towards the male. Adding on to this, some females may get offended by watching this, as they are trying to show that males are seen to be superior and dominant. Some would like the fact that Aishwarya fights back and burns her husband as over here she is playing a active role, and looks up to her husband.
It can also be said that Aishwarya is seen to be very active in the film, as she may not show this. She fights back against her husband and goes to the court. Which many females will like, as she is fighting against her husband.
How do the males view the movie ‘Provoked’.
If a male audience had watched this movie then their views would probably be very different. Some male would view themselves as being very dominant and superior. So their views would be that it is acceptable in our society to abuse females, and be superior towards them. Looking back to our society it can also be said that some females do see themselves as being very dominant.
However it can also be said that some males, maybe from the working class background will not accept this sort of behaviour and see it to be deviant. What this means is that some males see it to be wrong to use physical powers against a female. If a male audience did watch this then it can be seen that they will feel that Aishwarya is the protagonist in the film and they can probably identify with some males who treat there wife’s without respect.
How do females view the movie ‘Provoked’.
On the other hand if a female had seen this movie then their views would be very strong to this movie. Looking in today’s generation females are not seen anymore to be housewife’s they are seen to be independent and now share equivalent roles towards the male. Adding on to this, some females may get offended by watching this, as they are trying to show that males are seen to be superior and dominant. Some would like the fact that Aishwarya fights back and burns her husband as over here she is playing a active role, and looks up to her husband.
It can also be said that Aishwarya is seen to be very active in the film, as she may not show this. She fights back against her husband and goes to the court. Which many females will like, as she is fighting against her husband.
Saturday 1 December 2007
Sheila's Wheels is another comtemporary advert. They are 3 females that are dressed in the 60's look and are all wearing pink clothes. Now the connotations of this may be that they are seen as Bimbo's? Typical female that is in love with the colour pink.. They are promoting in the advert car insurance, however it can also be seen that they are seen to be independant and dominant because they are selling something and do not need the help of a male.
Now this advert is a contemporary advert. It is advertising the new fragrance for Hugo Boss, XX and XY. In this advert we see the female to be very seductive and yet dominant. We can say this because, both the males and females are seen to be wearing black, which we can say that both are seen to be equal. Also the female is giving the attention to the male with her seductive looks and he is coming close to her. This therefore shows us that females are seen to be sex symbols and so are males.
This advert is typically sterotyping a female to be a house wife. We can say this becuase of the way the female is seen to be really happy and is enjoying cleaning the house. It shows us the audience how females were precived back in the days, as typical housewives and were seen through 'cheap labour'.
Friday 23 November 2007
More websites...
1) http://www.bfi.org.uk/features/imagineasia/index.html
2)http://www1.medialiteracy.com/representation.jsp
3) http://www.aber.ac.uk/media/Modules/MC30820/represent.html
4) http://www.uiowa.edu/~commstud/resources/GenderMedia/index.html
5) http://www.allisonmedia.net/Concepts/representation.htm
6) http://media.guardian.co.uk/race/0,11027,584215,00.html
7) http://theoryhead.com/gender/
8) http://www.uiowa.edu/~commstud/resources/GenderMedia/femmedia.html
9) http://www.ape-connections.org/exorcisingpatriarchy.htm
10) http://feminism.eserver.org/
11) http://www.friesian.com/feminism.htm
12) http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=398998&in_page_id=1879
13) http://www.aest.org.uk/survivors/female/
14) http://www.immi.se/ir/ir2001/yassine.htm
1) http://www.bfi.org.uk/features/imagineasia/index.html
2)http://www1.medialiteracy.com/representation.jsp
3) http://www.aber.ac.uk/media/Modules/MC30820/represent.html
4) http://www.uiowa.edu/~commstud/resources/GenderMedia/index.html
5) http://www.allisonmedia.net/Concepts/representation.htm
6) http://media.guardian.co.uk/race/0,11027,584215,00.html
7) http://theoryhead.com/gender/
8) http://www.uiowa.edu/~commstud/resources/GenderMedia/femmedia.html
9) http://www.ape-connections.org/exorcisingpatriarchy.htm
10) http://feminism.eserver.org/
11) http://www.friesian.com/feminism.htm
12) http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=398998&in_page_id=1879
13) http://www.aest.org.uk/survivors/female/
14) http://www.immi.se/ir/ir2001/yassine.htm
More 10 Keywords...
(1) ABC1 scale: This is a system of social classification, based on a independants job. This is really useful to my independant study because i will be able to talk about some of the links to my target audience. So for example if i had to say what the target audience are for my study i would probably say Asians who are middle class and then go into depth saying if they are C1 or C2? and so on
(2) Action code: This means when something is seen to be in a dramatic structure and the outcome result of it is violence, it grabs the readers attention immediately. This is really useful for my study because we ofen see this happening to Aishwarya by Deepak, which makes the audience have a effect and they view Aishwarya to be the main pratagonist.
(3) Active Audience Theory: This means when the audience to act as active participants to what they see and this has an influence/effect on them. This can be used in my study because when Aishwarya is being abused by Deepak it in a way involves the audience in as it is seen to be a real issue and is something in common.
(4) Actuality: Something that is filmed or even reported on real events. This can be easily related to my study as 'Provoked' is based on a real life story, of Kiranjeet Ahluwalia that had got abused by her husband. It shows the outer/real world we live in.
(5) Analogue: This is the way something is recored if it is seen as visual or sound images, it anchors the shape of something. This is seen to be quiet useful to my text as we see various shots like this e.g Aishwarya getting abused.
(6) Antagonist: The hero and Villian seen together but in a binary opposition. We see this is 'Provked' the jail seen when Aishwarya gets bullied by a white lady in the same jail as her.
(7) Anti-Climax- The narrative is seen to be slow and then reaches to the main bit of the narrative and then leaves the audience in disapointment/suspence? We can relate this back in the beginning of the text when Aishwarya burns her husband alive.
(8) Femininty: Feminsim fight for their rights and are against male dominance and the patriarchal society. The film of my text follows the theme of femininty.
(9) Racism: Making offensive comments against a religion/race. We see this in 'Provoked' when Aish goes to jail and is seen to be the only Asian.
(10) Flashbacks: When the narrative looks back at the stuff that has already happened. 'Provoked' takes us the audience back to remind us of what happened.
(1) ABC1 scale: This is a system of social classification, based on a independants job. This is really useful to my independant study because i will be able to talk about some of the links to my target audience. So for example if i had to say what the target audience are for my study i would probably say Asians who are middle class and then go into depth saying if they are C1 or C2? and so on
(2) Action code: This means when something is seen to be in a dramatic structure and the outcome result of it is violence, it grabs the readers attention immediately. This is really useful for my study because we ofen see this happening to Aishwarya by Deepak, which makes the audience have a effect and they view Aishwarya to be the main pratagonist.
(3) Active Audience Theory: This means when the audience to act as active participants to what they see and this has an influence/effect on them. This can be used in my study because when Aishwarya is being abused by Deepak it in a way involves the audience in as it is seen to be a real issue and is something in common.
(4) Actuality: Something that is filmed or even reported on real events. This can be easily related to my study as 'Provoked' is based on a real life story, of Kiranjeet Ahluwalia that had got abused by her husband. It shows the outer/real world we live in.
(5) Analogue: This is the way something is recored if it is seen as visual or sound images, it anchors the shape of something. This is seen to be quiet useful to my text as we see various shots like this e.g Aishwarya getting abused.
(6) Antagonist: The hero and Villian seen together but in a binary opposition. We see this is 'Provked' the jail seen when Aishwarya gets bullied by a white lady in the same jail as her.
(7) Anti-Climax- The narrative is seen to be slow and then reaches to the main bit of the narrative and then leaves the audience in disapointment/suspence? We can relate this back in the beginning of the text when Aishwarya burns her husband alive.
(8) Femininty: Feminsim fight for their rights and are against male dominance and the patriarchal society. The film of my text follows the theme of femininty.
(9) Racism: Making offensive comments against a religion/race. We see this in 'Provoked' when Aish goes to jail and is seen to be the only Asian.
(10) Flashbacks: When the narrative looks back at the stuff that has already happened. 'Provoked' takes us the audience back to remind us of what happened.
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